Johann Sebastian Bach, Adele Stolte, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger's 'Matthäus-Passion, BWV 244, Pt. 1: No. 8, Aria. "Blute nur, du liebes Herz!" (Soprano)' came out on October 1, 2019. With this song being about 5 minutes long, at 4:44, "Matthäus-Passion, BWV 244, Pt. 1: No. 8, Aria. "Blute nur, du liebes Herz!" (Soprano)" by Johann Sebastian Bach, Adele Stolte, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Matthäus-Passion, BWV 244, Pt. 1: No. 8, Aria. "Blute nur, du liebes Herz!" (Soprano)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Matthäus-Passion, BWV 244, Pt. 1: No. 8, Aria. "Blute nur, du liebes Herz!" (Soprano) by Johann Sebastian Bach, Adele Stolte, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Lobe den Herren, den machtigen Konig der Ehren (Chorus) | Johann Sebastian Bach, Katherine Fuge, Robin Tyson, Christoph Genz, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A Major | 0 | 11B | 62 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: II. Allegro | Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana | F Major | 3 | 7B | 140 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 36, Rezitative und Chöre. "Und der Hohepriester antworte" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Christoph Prégardien, Dietrich Henschel, Matthias Goerne, Concentus Musicus Wien | A♭ Minor | 2 | 1A | 107 BPM | ||
Concerto a 5 in G Major, Op. 9, No. 6: II. Adagio non troppo | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | E Minor | 2 | 9A | 83 BPM | ||
Overture & Suite in E Minor "Tafelmusik" for 2 flutes and strings, TWV 55/e1: II. Réjouissance | Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations | E♭ Minor | 1 | 2A | 122 BPM | ||
Concerto No 2 in E minor - Adagio | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 2 | 2B | 89 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: V. Deposuit potentes | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | F♯ Minor | 2 | 11A | 131 BPM |