Hugo von Montfort, Eberhard Kummer made "Ich frów mích gen des abentz kunft: I. Ich frów mích gen des abentz kunft" available on September 29, 2023. The duration of Ich frów mích gen des abentz kunft: I. Ich frów mích gen des abentz kunft is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Ich frów mích gen des abentz kunft: I. Ich frów mích gen des abentz kunft's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hugo von Montfort, Eberhard Kummer's "Hugo von Montfort 1" album is number 1 out of 58. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Ich frów mích gen des abentz kunft: I. Ich frów mích gen des abentz kunft is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ich frów mích gen des abentz kunft: I. Ich frów mích gen des abentz kunft by Hugo von Montfort, Eberhard Kummer to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Land der dunklen Walder | Herbert Brust, René Kollo, RIAS-Symphonie-Orchester, Rüdiger Piesker | F Major | 3 | 7B | 88 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, Schmerzen | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Dir, Dir, Jehova, Will Ich Singen BWV 452 | Calmus Ensemble | A Major | 3 | 11B | 112 BPM | ||
Mieslaulu | Emil Genetz, YL Male Voice Choir, Matti Hyokki | D Major | 2 | 10B | 119 BPM | ||
Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
Liederkreis nach Gedichten von Heinrich Heine, Op. 24: 1. Morgens steh' ich auf und frage | Robert Schumann, Christian Gerhaher, Gerold Huber | C Major | 0 | 8B | 107 BPM | ||
Laurin: X. Kem ymant in den garden | Kaspar von der Rhön, Eberhard Kummer | B♭ Major | 2 | 6B | 112 BPM | ||
Misa a Buenos Aires "Misatango": Benedictus | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | G Major | 1 | 9B | 89 BPM | ||
Syliisi Hellään Sulje | Antaisin.fi, Kaisa Peni | F Major | 8 | 7B | 90 BPM | ||
Die Rose von Stambul: Großpapa | Leo Fall, Rita Bartos, Heinz Hoppe, Ingeborg Hallstein, Peter Kraus, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek | B Major | 3 | 1B | 196 BPM |