"Misa a Buenos Aires "Misatango": Benedictus" by MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung was released on January 20, 2017. The duration of Misa a Buenos Aires "Misatango": Benedictus is about 3 minutes long, at 3:13. Based on our data, "Misa a Buenos Aires "Misatango": Benedictus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in MartÍn Palmeri, Sächsisches Vokalensemble, Cuarteto Rotterdam, Dresdner Kapellsolisten, Matthias Jung's "Martín Palmeri: Misa a Buenos Aires "Misatango" & Tango Gloria" album is number 5 out of 18. Misa a Buenos Aires "Misatango": Benedictus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Misa a Buenos Aires "Misatango": Benedictus by MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Fauré / Arr. Rutter: Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Edward Higginbottom, Capricorn, Choir of New College, Oxford | D♭ Major | 1 | 3B | 73 BPM | ||
11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 1. He, Zigeuner, greife in die Saiten | Johannes Brahms, Gächinger Kantorei Stuttgart, Martin Galling, Helmuth Rilling | A Minor | 2 | 8A | 80 BPM | ||
Chama Ardente | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | A♭ Major | 1 | 4B | 110 BPM | ||
Paulus: I. Teil: Nr. 6 Aria S "Jerusalem, die du tödtest die Propheten" | Felix Mendelssohn, Melanie Diener, Philippe Herreweghe | C Minor | 0 | 5A | 69 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM | ||
Sechs deutsche Lieder, Opus 25: Nr. 2 Schottisches Lied (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | G Major | 2 | 9B | 86 BPM | ||
In furore iustissimae irae, RV.626 - Motet - Critical Edition Paul Everett: 1. In furore iustissimae irae | Antonio Vivaldi, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | A Major | 1 | 11B | 79 BPM | ||
ICC 101: La lune paresseuse | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 129 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 9, "Am Donaustrande" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | E Major | 1 | 12B | 142 BPM |