"Eyen Erong Abasi - Human + Synthetic Choral" by Obioha Ogbonna was released on January 10, 2022. The duration of Eyen Erong Abasi - Human + Synthetic Choral is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Eyen Erong Abasi - Human + Synthetic Choral's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Order of Mass". In this album, this song's track order is #5. Eyen Erong Abasi - Human + Synthetic Choral is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eyen Erong Abasi - Human + Synthetic Choral by Obioha Ogbonna having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Nordestina: III. Bumba chora | Ronaldo Miranda, Cheng Man Wai, Cantoría Hong Kong, John Winzenburg | B♭ Minor | 1 | 3A | 76 BPM | ||
Missa Orientalis - Holy, Holy | Dominican Liturgical Center | E♭ Major | 2 | 5B | 104 BPM | ||
M'anidaso | JAMES VARRICK ARMAAH, Harmonious Chorale, Franklynne Gyimah | E♭ Major | 5 | 5B | 122 BPM | ||
Messe à 4 voix: O sallutaris | Théodore Dubois, Chorale !franco-Allelmande de Paris, Bernard Lallement, Georges Bessonnet, Thierry Pentsch, Li-Chin Huang | F Major | 0 | 7B | 85 BPM | ||
O Sing to the Lord | Dan Davison, BYU Men's Chorus, Brent Wells, Avery Gunnell, Brian Pappal | F♯ Major | 2 | 2B | 96 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VIII. Agnus Dei | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Lamb of God O.O.M XXVI - Human + Synthetic Choral | Obioha Ogbonna | A Minor | 4 | 8A | 177 BPM | ||
St. John Passion, Part I: Hymn - Drop, Drop Slow Tears | Bob Chilcott, Chaconne Brass, Wells Cathedral Choir, Wells Cathedral Oratorio Society, Wells Cathedral Voluntary Choir, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Matthew Owens | E♭ Major | 1 | 5B | 109 BPM | ||
The Lord‘s Prayer | Divna Ljubojevic | C Major | 0 | 8B | 71 BPM | ||
Missa Orbis Factor: I. Kyrie (1) | Ars Veritas, Schola Cantorum, Jeremy D. Jones, Jakob Patriksson | F♯ Major | 2 | 2B | 127 BPM |