Bob Chilcott, Chaconne Brass, Wells Cathedral Choir, Wells Cathedral Oratorio Society, Wells Cathedral Voluntary Choir, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Matthew Owens's 'St. John Passion, Part I: Hymn - Drop, Drop Slow Tears' came out on March 3, 2015. With St. John Passion, Part I: Hymn - Drop, Drop Slow Tears being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 17 in Bob Chilcott: St John Passion by Bob Chilcott, Wells Cathedral Choir, Jonathan Vaughn, Matthew Owens. In terms of popularity, St. John Passion, Part I: Hymn - Drop, Drop Slow Tears is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. John Passion, Part I: Hymn - Drop, Drop Slow Tears by Bob Chilcott, Chaconne Brass, Wells Cathedral Choir, Wells Cathedral Oratorio Society, Wells Cathedral Voluntary Choir, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Matthew Owens is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM | ||
Yver, vous n'estes qu'un villain | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | B Major | 0 | 1B | 78 BPM | ||
Se Per Havervi, Oime | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 92 BPM | ||
The Three Hermits: Pilgrims' Hymn | Stephen Paulus, Westminster Williamson Voices, James Jordan | G Major | 0 | 9B | 134 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
Morgensang af Elverskud | Niels Gade, Concert Clemens, Carsten Seyer-Hansen | G Major | 2 | 9B | 131 BPM | ||
The Hope of Loving: No. 2, Wild Forces | Jake Runestad, Conspirare, Craig Hella Johnson | G Major | 2 | 9B | 116 BPM | ||
Otche Nach | Nikolay Kedrov, Skylark Vocal Ensemble, Matthew Guard | C Major | 1 | 8B | 75 BPM | ||
MLK | Adam Clayton, Larry Mullen, Jr., Bono, The Edge, Bob Chilcott, The Birralee Blokes, Justine Favell, Paul Holley | F♯ Major | 0 | 2B | 84 BPM |