"24 Préludes, Op. 28: No. 4 in E Minor, Largo (Arr. for Cello and Piano by A. Franchomme) [Adapted by C. Thomas]" by Frédéric Chopin, Camille Thomas, Julien Brocal was released on June 9, 2023. The duration of 24 Préludes, Op. 28: No. 4 in E Minor, Largo (Arr. for Cello and Piano by A. Franchomme) [Adapted by C. Thomas] is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. 24 Préludes, Op. 28: No. 4 in E Minor, Largo (Arr. for Cello and Piano by A. Franchomme) [Adapted by C. Thomas]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Chopin Project : Chopin for Cellists". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. In terms of popularity, 24 Préludes, Op. 28: No. 4 in E Minor, Largo (Arr. for Cello and Piano by A. Franchomme) [Adapted by C. Thomas] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Préludes, Op. 28: No. 4 in E Minor, Largo (Arr. for Cello and Piano by A. Franchomme) [Adapted by C. Thomas] by Frédéric Chopin, Camille Thomas, Julien Brocal having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hier encore (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | D Minor | 1 | 7A | 100 BPM | ||
Variations on a Theme by Robert Schumann, Op. 20: Var. 6 | Clara Schumann, Lisa Maria Schachtschneider | B Minor | 0 | 10A | 77 BPM | ||
Adagio for Strings: II. Molto adagio - Barber: Adagio for Strings (Molto adagio) | Patrick Hahn, Munich Radio Orchestra | C Minor | 3 | 5A | 76 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Silent Echoes | Joey Roukens, Lucas Jussen, Arthur Jussen, Netherlands Radio Philharmonic Orchestra, Karina Canellakis | B♭ Major | 3 | 6B | 152 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Martin James Bartlett | E Minor | 0 | 9A | 62 BPM | ||
Sonata in A Minor: II. Un poco allegretto | Henriëtte Bosmans, Molly Gebrian, Danny Holt | F♯ Minor | 4 | 11A | 119 BPM | ||
Woman´s Prayer | George Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM |