"Adagio for Strings: II. Molto adagio - Barber: Adagio for Strings (Molto adagio)" by Patrick Hahn, Munich Radio Orchestra was released on March 15, 2024. Since Adagio for Strings: II. Molto adagio - Barber: Adagio for Strings (Molto adagio) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Samuel Barber: Adagio for Strings only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Adagio for Strings: II. Molto adagio - Barber: Adagio for Strings (Molto adagio) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adagio for Strings: II. Molto adagio - Barber: Adagio for Strings (Molto adagio) by Patrick Hahn, Munich Radio Orchestra having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 "Vakara gaismā": III. Andante con amore - Excerpt | Pēteris Vasks, Sebastian Bohren, Munich Chamber Orchestra, Sergej Bolkhovets | D Minor | 2 | 7A | 82 BPM | ||
Kleine Dreigroschenmusik: III. Anstatt-dass Song | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | B Major | 0 | 1B | 102 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: III. Intermezzo | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 62 BPM | ||
Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Transition to Origins | Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra | G Major | 3 | 9B | 136 BPM | ||
The Long Day Closes: II. An Unquiet Day | Milo Paulus | E Major | 2 | 12B | 107 BPM | ||
Hope - for orchestra | Nat Bartsch, Budapest Art Orchestra, Peter Petjsik | B♭ Major | 1 | 6B | 169 BPM | ||
Fiori Musicali: Vientuļā kalla | Georgs Pelēcis, Kremerata Baltica | D♭ Major | 3 | 3B | 94 BPM | ||
Symphony No. 3 in C Minor, Op. 44: II. Andante | Sergei Prokofiev, Gianandrea Noseda, London Symphony Orchestra | A Minor | 0 | 8A | 66 BPM | ||
Mozart: Fantasia in D Minor, K. 397 (Transcr. Lenaerts for Harp) | Wolfgang Amadeus Mozart, Anneleen Lenaerts | A Major | 1 | 11B | 133 BPM | ||
Hassan, DCW 8, Act 1 Scene 1: Prelude. Slow – Quietly but expressively | Frederick Delius, Britten Sinfonia, Jamie Phillips | D♭ Major | 1 | 3B | 130 BPM |