"Violin Concerto No. 2 "Vakara gaismā": III. Andante con amore - Excerpt" by Pēteris Vasks, Sebastian Bohren, Munich Chamber Orchestra, Sergej Bolkhovets was released on March 29, 2024. Violin Concerto No. 2 "Vakara gaismā": III. Andante con amore - Excerpt is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. Since Vasks: Violin Concerto No. 2 "Vakara gaismā": III. Andante con amore (Excerpt) only contains only one song in the album, we like to consider this song as a single. Based on our data, United Kingdom was the country where this track was produced or recorded. Violin Concerto No. 2 "Vakara gaismā": III. Andante con amore - Excerpt is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Concerto No. 2 "Vakara gaismā": III. Andante con amore - Excerpt by Pēteris Vasks, Sebastian Bohren, Munich Chamber Orchestra, Sergej Bolkhovets has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Violin Concerto No. 2 "Vakara gaismā": III. Andante con amore - Excerpt being at 82 テンポ, the half-time would be 41 テンポ with a double-time of 164 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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3. Auf nach Italien | Giovanni Pierluigi da Palestrina, Alessandro Scarlatti, Will Quadflieg, Pro Cantione Antiqua, Catherine Gayer, Munich Chamber Orchestra, Hans Stadlmair | C Major | 1 | 8B | 129 BPM | ||
Timo Andres: Upstate Obscura: 1. Valley of Strange Shapes | Timo Andres, Metropolis Ensemble, Andrew Cyr, Inbal Segev | A♭ Major | 2 | 4B | 89 BPM | ||
Plöner Musiktag: D. Abendkonzert: II. Flötensolo mit Streichern | Paul Hindemith, Stathis Karapanos, Schleswig-Holstein Festival Orchestra, Christoph Eschenbach | F Minor | 0 | 4A | 75 BPM | ||
Three Movements for Orchestra: 2. Mvt.2 | Steve Reich, Los Angeles Philharmonic, Stefan Asbury | F Minor | 1 | 4A | 183 BPM | ||
Overture in D Major, P. 228: II. Andantino | Franz Danzi, Munich Chamber Orchestra, Howard Griffiths | F Major | 0 | 7B | 131 BPM | ||
String Quartet No. 2 "Summer Tunes": I. Coming Into Bloom | Pēteris Vasks, Navarra Quartet | G Minor | 0 | 6A | 82 BPM | ||
Concerto in B-Flat Major for bassoon & orchestra, W.C. 83: I. Allegro | Johann Christian Bach, Sophie Dervaux, Munich Chamber Orchestra | A Minor | 1 | 8A | 120 BPM | ||
12 Études, Op. 10: No. 12 in C Minor "Revolutionary" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
Gymnopédie No. 3 (Orch. Debussy) | Erik Satie, Ronald Corp, New London Orchestra | A Major | 2 | 11B | 111 BPM | ||
Pièce en forme de Habanera, M. 51 (Version for Oboe and Piano) | Maurice Ravel, Heinz Holliger, Anton Kernjak | C Minor | 0 | 5A | 80 BPM |