"Gymnopédie No. 3 (Orch. Debussy)" by Erik Satie, Ronald Corp, New London Orchestra was released on October 23, 1989. The duration of Gymnopédie No. 3 (Orch. Debussy) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Gymnopédie No. 3 (Orch. Debussy)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 47 in the song's album "Satie: Parade, Gymnopédies, Gnossiennes & Other Works for Orchestra". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Gymnopédie No. 3 (Orch. Debussy) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gymnopédie No. 3 (Orch. Debussy) by Erik Satie, Ronald Corp, New London Orchestra having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Kinderstücke, Op. 72 "Christmas Present": No. 1 in G Major. Allegro non troppo, MWV U 171 | Felix Mendelssohn, Howard Shelley | G Major | 1 | 9B | 117 BPM | ||
The Snow Maiden (second version): Dance of the Tumblers (Act III) | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 2 | 8B | 145 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Madama Butterfly, SC 74, Act I: Ancora un passo or via | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F♯ Major | 1 | 2B | 81 BPM | ||
12 Petite Pieces Pour Le Clavecin: No. 1 Andante | Wolfgang Amadeus Mozart, Irene Cantos | C Major | 1 | 8B | 68 BPM | ||
Myrthen, Op. 25: No. 24 - Du bist wie eine Blume | Robert Schumann, Pablo Ferrandez, Julien Quentin | A♭ Major | 1 | 4B | 109 BPM | ||
Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen) | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | B Major | 1 | 1B | 113 BPM | ||
Romeo and Juliet, Ballet Suite, Op. 64a, No. 2: VII. Romeo at Juliet's Grave | Sergei Prokofiev, National Symphony Orchestra Washington, Mstislav Rostropovich | C Major | 2 | 8B | 72 BPM | ||
Piano Trio in D Minor, Op. 120: II. Andantino | Gabriel Fauré, Florestan Trio | B♭ Major | 0 | 6B | 63 BPM | ||
9 Preludes, Op. 103: No. 8 in C Minor | Gabriel Fauré, Kathryn Stott | A♭ Major | 1 | 4B | 109 BPM |