Hughes De Courson made "Valse des scaphandriers somnambules" available on January 1, 1979. With Valse des scaphandriers somnambules being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 12 in Fonds de tiroir 1967 by Hughes De Courson, Patrick Modiano. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Valse des scaphandriers somnambules is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Valse des scaphandriers somnambules by Hughes De Courson is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le mele cass | Hughes De Courson | B♭ Major | 1 | 6B | 119 BPM | ||
Fac Me Cruce | Andreas Scholl | B Minor | 0 | 10A | 90 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Nemanja Radulović, Les Trilles Du Diable | D Minor | 4 | 7A | 122 BPM | ||
Mozart, Traditional & De Courson: Mozart l'Égyptien (After Mozart's Così fan tutte, K. 588) | Traditional, Wolfgang Amadeus Mozart, Hughes De Courson, Amin Shahin, Amira Selim, Ibrahim Kawala, Ibrahim el Shazly, Mahmoud Sourour, Ragab Sadek, Salama Metwaly, Sheikh Saïd el Mougy, Wafaa el Morsy, Deyan Pavlov, Bulgarian Symphony Orchestra | C Minor | 2 | 5A | 160 BPM | ||
Allegro prestissimo from Sonata for Two Cellos | Jean Barrière, Yo-Yo Ma, Bobby McFerrin | B♭ Major | 4 | 6B | 129 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Chamber Music | Ballaké Sissoko, Vincent Ségal | F Major | 2 | 7B | 126 BPM | ||
Aria | Balanescu Quartet | E Minor | 2 | 9A | 140 BPM | ||
Le Sacre du Printemps / Part 2: Le Sacrifice: 6. Danse sacrale: l'élue | Igor Stravinsky, Cleveland Orchestra, Pierre Boulez | B Major | 2 | 1B | 80 BPM | ||
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, London Philharmonic Orchestra/Wolfgang Sawallisch, Wolfgang Sawallisch, London Philharmonic Orchestra | C Minor | 0 | 5A | 82 BPM |