Sergei Prokofiev, Slovak State Philharmonic Orchestra, Kosice, Andrew Mogrelia's 'Romeo and Juliet Suite No. 1, Op. 64bis: Masks, Op. 64bis, No. 5' came out on November 6, 1990. The duration of Romeo and Juliet Suite No. 1, Op. 64bis: Masks, Op. 64bis, No. 5 is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Romeo and Juliet Suite No. 1, Op. 64bis: Masks, Op. 64bis, No. 5's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Prokofiev: Romeo and Juliet (Highlights)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. The popularity of Romeo and Juliet Suite No. 1, Op. 64bis: Masks, Op. 64bis, No. 5 is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Romeo and Juliet Suite No. 1, Op. 64bis: Masks, Op. 64bis, No. 5 by Sergei Prokofiev, Slovak State Philharmonic Orchestra, Kosice, Andrew Mogrelia having a テンポ of 161 with a half-time of 80 テンポ and a double-time of 322 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Hungarian Dance No. 5 | Johannes Brahms, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | G Minor | 2 | 6A | 111 BPM | ||
Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
Ruy Blas, Op. 95: Overture | Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra | C Minor | 2 | 5A | 134 BPM | ||
Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Two Eligiac Melodies Heart Wounds | Academy of St. Martin in the Fields | C Major | 1 | 8B | 87 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM |