"Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII (Andante cantabile)" by Sergei Rachmaninoff, Cecile Ousset, Sir Simon Rattle, City Of Birmingham Symphony Orchestra was released on 1988. The duration of Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII (Andante cantabile) is about 3 minutes long, at 3:00. Based on our data, "Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII (Andante cantabile)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 33 in the song's album "The Classic Experience". In this album, this song's track order is #11. Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII (Andante cantabile) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII (Andante cantabile) by Sergei Rachmaninoff, Cecile Ousset, Sir Simon Rattle, City Of Birmingham Symphony Orchestra having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Suite No. 2 in C Major, Op. 17: II. Valse: Presto | Sergei Rachmaninoff, Peter Donohoe, Martin Roscoe | G Major | 0 | 9B | 130 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
3 Etudes Opus 104b: No. 3 in A minor | Felix Mendelssohn, Bertrand Chamayou | A Minor | 3 | 8A | 92 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Rachmaninov: 6 Morceaux, Op. 11: No. 1, Barcarolle | Sergei Rachmaninoff, Alexandre Tharaud, Aleksandar Madzar | A♭ Major | 1 | 4B | 109 BPM | ||
Nocturne No. 9 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 56 BPM | ||
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM |