"Suite No. 2 in C Major, Op. 17: II. Valse: Presto" by Sergei Rachmaninoff, Peter Donohoe, Martin Roscoe had its release date on November 21, 2006. This song is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Rachmaninov: Music for 2 Pianos". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Suite No. 2 in C Major, Op. 17: II. Valse: Presto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 2 in C Major, Op. 17: II. Valse: Presto by Sergei Rachmaninoff, Peter Donohoe, Martin Roscoe having a テンポ of 130 with a half-time of 65 テンポ and a double-time of 260 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Études-tableaux, Op. 39: No. 6 in A Minor | Sergei Rachmaninoff, Evgeny Kissin | D Major | 1 | 10B | 66 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Sonata For Violin And Piano In A: 4. Allegretto poco mosso | César Franck, Itzhak Perlman, Vladimir Ashkenazy | A Major | 2 | 11B | 78 BPM | ||
There's Nae Lark (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Major | 0 | 5B | 98 BPM | ||
3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | E♭ Minor | 0 | 2A | 106 BPM | ||
Bizet: L'Arlésienne, Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 81 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": II. Andante | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | D Major | 1 | 10B | 129 BPM | ||
Symphony No. 1 in G Minor, Op. 13, "Winter Daydreams": III. Scherzo: Allegro scherzando giocoso | Pyotr Ilyich Tchaikovsky, Gürzenich Orchester Köln, Dmitri Kitayenko | C Minor | 0 | 5A | 101 BPM | ||
Piano Concerto in C Major (1796): II. Adagio e cantabile, con grande espressione | Muzio Clementi, Bruno Canino, Orchestra Sinfonica di Roma, Francesco La Vecchia | F Major | 1 | 7B | 107 BPM | ||
Scherzo in E flat minor, Op. 4 | Johannes Brahms, Gerhard Oppitz | D Major | 1 | 10B | 114 BPM |