"Nobody loves you like I do (From the operetta 'Paganini')" by Franz Lehár, Harry Hermann Orchestra, Harry Hermann, Albert Sandler Orchestra, The BBC Dance Orchestra, Christian Chevallier Orchestra, Frank Cordell Orchestra, Freddy Martin & His Orchestra, Group Fifty Orchestra, Harry Hudson's Melody Men, International Novelty Quartet, Jack Hylton Orchestra, London Promenade Orchestra, Mario 'Harp’ Lorenzi Rhythmics, MGM Studio Orchestra, Monia Liter Orchestra, New Concert Orchestra, New Light Symphony Orchestra, The New Mayfair Dance Orchestra, Otto Dobrindt Piano Symphonists, Queen's Hall Light Orchestra, Shilkret's Rhythm Melodists, The Spencer-Hagen Orchestra, Starlight Symphony, Tony Osborne & Orchestra, Wal Berg Orchestra was released on November 15, 2014. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "The Golden Age of Light Music: Contrasts: From the 1960s back to the 1920s - Vol. 2". In this album, this song's track order is #7. Nobody loves you like I do (From the operetta 'Paganini') is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nobody loves you like I do (From the operetta 'Paganini') by Franz Lehár, Harry Hermann Orchestra, Harry Hermann, Albert Sandler Orchestra, The BBC Dance Orchestra, Christian Chevallier Orchestra, Frank Cordell Orchestra, Freddy Martin & His Orchestra, Group Fifty Orchestra, Harry Hudson's Melody Men, International Novelty Quartet, Jack Hylton Orchestra, London Promenade Orchestra, Mario 'Harp’ Lorenzi Rhythmics, MGM Studio Orchestra, Monia Liter Orchestra, New Concert Orchestra, New Light Symphony Orchestra, The New Mayfair Dance Orchestra, Otto Dobrindt Piano Symphonists, Queen's Hall Light Orchestra, Shilkret's Rhythm Melodists, The Spencer-Hagen Orchestra, Starlight Symphony, Tony Osborne & Orchestra, Wal Berg Orchestra having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Marilyn Horne, Wiener Opernorchester, Henry Lewis | D♭ Major | 3 | 3B | 174 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Der Vogelhändler: Ich bin die Christel von der Post | Carl Zeller, Renate Holm, Frank Fox | E Major | 2 | 12B | 78 BPM | ||
Gräfin Mariza, IEK 4: Komm mit nach Varasdin | Emmerich Kálmán, Donau Philharmonie Wien, Gabrielle Heidelberger, Armin Kolarczyk | F Major | 3 | 7B | 85 BPM | ||
Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM | ||
Ich liebe dich, WoO 123 | Ludwig van Beethoven, Dietrich Fischer-Dieskau, Hertha Klust | F Major | 0 | 7B | 169 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM |