Leon Jessel, Stuttgart Philharmonic Orchestra, Fritz Mareczek's 'Schwarzwaldmädel: Bauernpolka' came out on September 1, 2010. The duration of Schwarzwaldmädel: Bauernpolka is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Schwarzwaldmädel: Bauernpolka's duration is considered a little bit shorter than the average duration of a typical track. The song is number 29 out of 32 in Beliebte Operettenmelodien by Various Artists. In terms of popularity, Schwarzwaldmädel: Bauernpolka is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Schwarzwaldmädel: Bauernpolka by Leon Jessel, Stuttgart Philharmonic Orchestra, Fritz Mareczek is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aus den schlesischen Bergen, Op. 260 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 1 | 6B | 87 BPM | ||
Triglav, Op. 72 | Julius Fučík, Tschechische Philharmonie, Václav Neumann | G Major | 5 | 9B | 122 BPM | ||
Ultimate Sacrifice-Freedom (5m21-22) | John Powell | B♭ Major | 2 | 6B | 95 BPM | ||
Zip a Dee Doo Dah | Tony Fenelon | F Major | 3 | 7B | 140 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Hochzeitstanz (Orchester) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | F Major | 3 | 7B | 105 BPM | ||
Mattinata (Frühlingserwachen) | Rudolf Schock | B Major | 2 | 1B | 60 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: VIII. in G minor. Presto | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
Micronesia (arr. P. Breiner): Micronesia [Patriots of Micronesia, "'Tis here we are pledging…"] | Peter Breiner | F Major | 1 | 7B | 123 BPM | ||
Khovanshchina: Morgendammerung an der Moskwa | Modest Mussorgsky, Moscow State Radio and Television Symphony Orchestra, Klaus-Peter Hahn | D Major | 3 | 10B | 116 BPM |