"Appalachian Spring: II. Allegro" by Aaron Copland, London Symphony Orchestra was released on 1963. The duration of Appalachian Spring: II. Allegro is about 3 minutes long, at 3:03. Based on our data, "Appalachian Spring: II. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 25 in Copland Conducts Copland - Expanded Edition (Fanfare for the Common Man, Appalachian Spring, Old American Songs (Complete), Rodeo: Four Dance Episodes) by Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Appalachian Spring: II. Allegro's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring: II. Allegro by Aaron Copland, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 147 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: No. 5 - Allegro | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | D Major | 1 | 10B | 113 BPM | ||
The Firebird, KC 10: VII. Danse infernale de tous les sujets de Kachtcheï | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | E Major | 3 | 12B | 149 BPM | ||
Die Entführung Aus Dem Serail (The Abduction From The Seraglio, K. 384) Chorus Of The Janissaries (Arr.) / Ich Möchte Wohl (Ein Deutsches Kriegslied, K. 539) (Arr.) | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 5 | 8B | 148 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich Und Gemessen, Ohne Zu Schleppen | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | G Minor | 0 | 6A | 57 BPM | ||
Carnival of the Animals: VIII. People with Long Ears | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | E Major | 0 | 12B | 84 BPM | ||
Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky | Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado, London Symphony Chorus | B♭ Major | 0 | 6B | 97 BPM | ||
Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | F Major | 2 | 7B | 111 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Carmina Burana: II. Fortune plango vulnera | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | A Minor | 2 | 8A | 120 BPM | ||
Symphony No. 1, "Afro-American": IV. Aspiration (Lento, con risoluzione) | William Grant Still, Fort Smith Symphony, John Jeter | F♯ Major | 0 | 2B | 141 BPM |