"Bachianas brasileiras No. 1: II. Preludio: Modinha" by Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia was released on November 15, 2005. Since Bachianas brasileiras No. 1: II. Preludio: Modinha is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa-Lobos: Bachianas Brasileiras (Complete) by Heitor Villa-Lobos, Andrew Mogrelia, Kenneth Schermerhorn. The song's track number on the album is #2 out of 29 tracks. Bachianas brasileiras No. 1: II. Preludio: Modinha is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas brasileiras No. 1: II. Preludio: Modinha by Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bachianas brasileiras No. 1: II. Preludio: Modinha being at 82 テンポ, the half-time would be 41 テンポ with a double-time of 164 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Rhapsody No.2 in C sharp minor, S.244 | Franz Liszt, Michele Campanella | D♭ Major | 1 | 3B | 101 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Giselle: Act I: Allegro un peu loure | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 169 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Violin Concerto in D Major: IV. Capriccio | Igor Stravinsky, Jennifer Frautschi, Philharmonia Orchestra, Robert Craft | G Major | 2 | 9B | 129 BPM | ||
Sonatina canonica, Op. 196: II. Tempo di Siciliane | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 0 | 8A | 91 BPM | ||
Valsinha | Francisco Mignone, Luiz de Moura Castro | E Minor | 0 | 9A | 62 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
Valse Triste | Oskar Nedbal, Oliver Butterworth, John Bingham | B♭ Major | 0 | 6B | 75 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM |