"Carmen Suite: VIII. Bolero (after G. Bizet): VII. Intermezzo No. 2" by Rodion Shchedrin, Monte-Carlo Philharmonic Orchestra, James DePreist was released on January 1, 1996. The duration of Carmen Suite: VIII. Bolero (after G. Bizet): VII. Intermezzo No. 2 is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Carmen Suite: VIII. Bolero (after G. Bizet): VII. Intermezzo No. 2's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Shchedrin, R.: Carmen Suite / Bizet, G.: Carmen Suite No. 1 (Monte-Carlo Philharmonic, Depreist)". In this album, this song's track order is #7. Based on our statistics, Carmen Suite: VIII. Bolero (after G. Bizet): VII. Intermezzo No. 2's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen Suite: VIII. Bolero (after G. Bizet): VII. Intermezzo No. 2 by Rodion Shchedrin, Monte-Carlo Philharmonic Orchestra, James DePreist having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oedipe - Tragédie Lyrique En 4 Actes Et 6 Tableaux Op.23 - Acte I (Prologue) : J'apporte De Délos La Flamme D'Apollon (Les Vierges Thébaines, Le Grand-Prêtre, Le Choeur) | George Enescu, Lawrence Foster, Monte-Carlo Philharmonic Orchestra | F♯ Minor | 2 | 11A | 125 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: IV. Allegretto poco mosso | César Franck, Pierre Amoyal, Mikhail Rudy | D Minor | 2 | 7A | 148 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Alexandre Lagoya, Orchestre National de l'Opéra de Monte-Carlo, Antonio de Almeida | B Minor | 1 | 10A | 107 BPM | ||
Bruch: Scottish Fantasy, Op. 46: II. Scherzo. Allegro - Adagio | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
Piazzolla / Orch. Ducros: Years of Solitude | Astor Piazzolla, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra | D Major | 2 | 10B | 91 BPM | ||
Peer Gynt Suite No. 2, Op. 55: 4. Solveig's Song | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 75 BPM | ||
Piano Concerto No.2 in F minor, Op.21: 2. Larghetto | Frédéric Chopin, Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | A♭ Major | 1 | 4B | 91 BPM | ||
12 Etudes, Op. 10: No. 3 in E Major | Frédéric Chopin, Konstantin Lifschitz | E Major | 0 | 12B | 69 BPM | ||
Clarinet Quintet in A Major, K. 581: II. Larghetto | Wolfgang Amadeus Mozart, Gabrieli String Quartet | G Major | 0 | 9B | 77 BPM | ||
Holberg Suite, opus 40:Air (Andante religioso) | Academy of St. Martin in the Fields | G Minor | 1 | 6A | 67 BPM |