George Crumb, Ensemble 20/21's 'Kronos-Kryptos (Version for Percussion Quintet): III. Drummers of the Apocalypse' came out on March 1, 2024. The duration of Kronos-Kryptos (Version for Percussion Quintet): III. Drummers of the Apocalypse is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Kronos-Kryptos (Version for Percussion Quintet): III. Drummers of the Apocalypse's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 9 in Complete Crumb Edition, Vol. 21 by George Crumb, Gilbert Kalish, Timothy Eddy, Marcantonio Barone, Ensemble 20/21. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Kronos-Kryptos (Version for Percussion Quintet): III. Drummers of the Apocalypse's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Kronos-Kryptos (Version for Percussion Quintet): III. Drummers of the Apocalypse by George Crumb, Ensemble 20/21 is Allegro (fast, quick, and bright), since this song has a tempo of 144 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in A Major, Op. 68: I. Overture. Moderato con moto | Dmitri Shostakovich, Quatuor Danel | G Major | 0 | 9B | 89 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
Ancient Voices of Children: II. Me he perdido muchas veces por el mar | George Crumb, Tony Arnold, Dale Stuckenbruck, Courtney Hershey Bress, Susan Grace, John Kinzie, Mark Foster, William Hill, David Colson | D♭ Major | 0 | 3B | 65 BPM | ||
Göreme: III. The Mirror - Live performance on May 20, 2010 | Markku Klami, Patrik Kleemola | A♭ Major | 2 | 4B | 105 BPM | ||
No hay razones en el corazón | Vicente Umpiérrez Sánchez | D Minor | 0 | 7A | 129 BPM | ||
6 Chansons: No. 3. Une perdrix descendait de la montagne… (A partridge was coming down from the mountain) | Iannis Xenakis, Stephanos Thomopoulos | F♯ Minor | 0 | 11A | 101 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Perduto in una citta d'acque | Salvatore Sciarrino, Florian Hoelscher | C Major | 0 | 8B | 139 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Asasello Quartett | G Major | 0 | 9B | 88 BPM |