"Symphony No.2 in C Minor, op. 17 " Little Russian " : I. Andante sostenuto-Allegro vivo" by Philharmonia Slavonica, Alberto Lizzio was released on 1992. Symphony No.2 in C Minor, op. 17 " Little Russian " : I. Andante sostenuto-Allegro vivo appears to be safe for all ages as it is not explicit. There are a total of 76 in the song's album "Peter Iljitsch Tchaikovsky - Symphonien, Balletmusiken, Konzerte". In this album, this song's track order is #1. In terms of popularity, Symphony No.2 in C Minor, op. 17 " Little Russian " : I. Andante sostenuto-Allegro vivo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No.2 in C Minor, op. 17 " Little Russian " : I. Andante sostenuto-Allegro vivo by Philharmonia Slavonica, Alberto Lizzio having a テンポ of 104 with a half-time of 52 テンポ and a double-time of 208 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spring, Op. 22a | Josef Suk, Radoslav Kvapil | D Minor | 1 | 7A | 74 BPM | ||
Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: I. Allegro di molto | Carl Philipp Emanuel Bach, Alison McGillivray, The English Concert | A♭ Major | 1 | 4B | 120 BPM | ||
Variation 9: Der Angriff Auf Die Bettelmönche | Richard Strauss, Henry Adolph, Philharmonia Slavonica | F Minor | 0 | 4A | 83 BPM | ||
Violin Concerto, No. 1 in G-Minor, op. 26: III. Finale: Allegro energico | Philharmonia Slavonica, Alberto Lizzio, Helena Spitkova | D Major | 2 | 10B | 86 BPM | ||
Chopin: Polonaise In A Flat, Op. 53, "Heroic" | London Festival Orchestra | A♭ Major | 3 | 4B | 77 BPM | ||
Albinoni: Concerto In B Flat, Op 7 No.3 - I Allegro | Tomaso Albinoni, Tine Thing Helseth | B♭ Major | 3 | 6B | 113 BPM | ||
1812 Overture (Op. 49) | Philharmonia Slavonica, Henry Adolph | E♭ Major | 3 | 5B | 116 BPM | ||
Symphony In Three Movements: Allegro | Philharmonia Slavonica, Carlo Panatelli | G Major | 1 | 9B | 78 BPM | ||
Slawische Tänze, op. 46, Nr. 10 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | E Minor | 2 | 9A | 104 BPM | ||
セレナード 第13番 ト長調「アイネ・クライネ・ナハトムジーク」 K.525/第4楽章:ロンド:アレグロ(『メリーに首ったけ』より) | スロヴァキア・フィルハーモニー管弦楽団, リボル・ペシェック | A Major | 1 | 11B | 136 BPM |