On November 12, 2007, the song "Albinoni: Concerto In B Flat, Op 7 No.3 - I Allegro" was released by Tomaso Albinoni, Tine Thing Helseth. The duration of Albinoni: Concerto In B Flat, Op 7 No.3 - I Allegro is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Albinoni: Concerto In B Flat, Op 7 No.3 - I Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Trumpet Concertos". In this album, this song's track order is #4. In terms of popularity, Albinoni: Concerto In B Flat, Op 7 No.3 - I Allegro is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Albinoni: Concerto In B Flat, Op 7 No.3 - I Allegro by Tomaso Albinoni, Tine Thing Helseth having a テンポ of 113 with a half-time of 56 テンポ and a double-time of 226 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Morceaux, Op. 15 (arr. for brass ensemble by Jarle Storløkken): I. Serenade | Agathe Backer Grøndahl, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM | ||
Concerto for Trumpet and Strings: I. Allegro moderato | Eric Ewazen, Tine Thing Helseth | G Minor | 2 | 6A | 92 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM | ||
Oboe Concerto in D minor, Op.9 No.2 - Part 3 | Tomaso Albinoni, Tomaso Albinoni's Orchestra Trieste | D♭ Major | 2 | 3B | 84 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM |