"Tristan und Isolde / Act 3: Bist du nun tot? ...O Wonne! Freude!" by Richard Wagner, René Kollo, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber was released on January 1, 1982. Since Tristan und Isolde / Act 3: Bist du nun tot? ...O Wonne! Freude! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Tristan und Isolde by Richard Wagner, Carlos Kleiber. The song's track number on the album is #7 out of 29 tracks. Tristan und Isolde / Act 3: Bist du nun tot? ...O Wonne! Freude! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde / Act 3: Bist du nun tot? ...O Wonne! Freude! by Richard Wagner, René Kollo, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde / Act 3: Bist du nun tot? ...O Wonne! Freude! being at 78 テンポ, the half-time would be 39 テンポ with a double-time of 156 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: IV. Sanctus | Giuseppe Verdi, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 100 BPM | ||
Götterdämmerung, WWV 86D / Erster Aufzug: "Jetzt bist du mein, Brünnhilde, Gunthers Braut" | Richard Wagner, Helga Dernesch, Helge Brilioth, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 84 BPM | ||
La Traviata / Act 2: "Avrem lieta di maschere la notte" | Giuseppe Verdi, Stefania Malagu, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 84 BPM | ||
Requiem: XI. Domine Jesu Christe | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Karen Cargill, Stuart Neill, John Relyea, Christine Brewer | A♭ Major | 0 | 4B | 125 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | C Major | 2 | 8B | 129 BPM | ||
Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | F Major | 1 | 7B | 78 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend" | Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 2 | 8B | 135 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | ||
Parsifal, WWV 111 / Act II: "Wehe! Was tat ich? Wo war ich?" - "Bekenntnis wird Schuld in Reue enden" | Richard Wagner, Dunja Vejzovic, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 125 BPM |