"Elevazione For Cello And Oboe" by Domenico Zipoli, Robert Haydon Clark, Consort of London had its release date on January 4, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 13 in Baroque Orchestral Music by Robert Haydon Clark, Consort of London. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Elevazione For Cello And Oboe is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elevazione For Cello And Oboe by Domenico Zipoli, Robert Haydon Clark, Consort of London is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Suite No. 1 in B Minor: III. Aria | Domenico Zipoli, Giovanni Nesi | B Minor | 0 | 10A | 131 BPM | ||
Csardas (Arr. R. Pontinen and M. Frost) | Vittorio Monti, Martin Fröst, Roland Pöntinen | D Major | 2 | 10B | 98 BPM | ||
Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
Eclogue, Op. 10 | Gerald Finzi, Andrew Davis, BBC Symphony Orchestra, Louis Lortie | B♭ Minor | 0 | 3A | 87 BPM | ||
ドメニコ・ツィポーリ:カンツォーナ ヘ長調 | Domenico Zipoli, Lorenzo Ghielmi | B♭ Major | 0 | 6B | 86 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Grieg: Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | E Major | 5 | 12B | 85 BPM | ||
Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" | Nederica Stepan | D Major | 1 | 10B | 92 BPM | ||
The Yellow Cake Revue: Farewell to Stromness | Peter Maxwell Davies | D Major | 0 | 10B | 73 BPM |