"The Yellow Cake Revue: Farewell to Stromness" by Peter Maxwell Davies was released on March 4, 2014. The Yellow Cake Revue: Farewell to Stromness is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. There are a total of 20 in the song's album "Peter Maxwell Davies: Suite from "The Boyfriend", Suite from "The Devils" & Other Works". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Hong Kong. The Yellow Cake Revue: Farewell to Stromness is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Yellow Cake Revue: Farewell to Stromness by Peter Maxwell Davies having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 5 in C-Sharp Minor, Part. 3: IV. Adagietto (Sehr langsam) | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Major | 0 | 7B | 80 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | ||
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 2 | 8B | 97 BPM | ||
Spiegel im Spiegel - Version for Cello and Piano | Arvo Pärt, Alexander Malter, Dietmar Schwalke | F Major | 0 | 7B | 86 BPM | ||
Fantasia Upon a Ground in D Major, Z 731 | Henry Purcell, Fires Of London, Peter Maxwell Davies | F Major | 0 | 7B | 113 BPM | ||
Celtic Concerto: 2. Hiraeth | Catrin Finch, Sinfonia Cymru, John Rutter | B♭ Minor | 1 | 3A | 62 BPM | ||
Yesnaby Ground | Peter Maxwell Davies, Richard Casey | G Major | 1 | 9B | 109 BPM |