Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy made "Arizona Lady: Act I - " Du bist schön, wunderschön "" available on November 24, 2011. With Arizona Lady: Act I - " Du bist schön, wunderschön " being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Kalmann: Arizona Lady" album is number 17 out of 45. Arizona Lady: Act I - " Du bist schön, wunderschön " is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Arizona Lady: Act I - " Du bist schön, wunderschön " by Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Oceanides. Tone Poem For Orchestra, Op. 73 | Jean Sibelius, Bavarian Radio Symphony Orchestra, Eugen Jochum | G Major | 2 | 9B | 99 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
8 Slavonic Dances, Op. 46, B. 83: No. 7 in C Minor (Allegro assai) | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Rafael Kubelík | C Minor | 2 | 5A | 155 BPM | ||
Piano Concerto No. 3, Sz. 119: III. Allegro vivace | Béla Bartók, Annie Fischer, Bavarian Radio Symphony Orchestra, Ferenc Fricsay | C Major | 1 | 8B | 70 BPM | ||
Lohengrin, WWV 75 / Act 3: Atmest du nicht mit mir die süßen Düfte? | Richard Wagner, Gundula Janowitz, James King, Bavarian Radio Symphony Orchestra, Rafael Kubelík | B♭ Major | 1 | 6B | 71 BPM | ||
Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: Overture | Seattle Symphony Orchestra, Felix Mendelssohn, Gerard Schwarz | A Major | 1 | 11B | 138 BPM | ||
Symphony No. 2 in B-Flat Major, D. 125: IV. Presto vivace | Franz Schubert, Bavarian Radio Symphony Orchestra, Lorin Maazel | C Major | 3 | 8B | 98 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM |