Miguel Fleta's ' "Aragon la Mas Famosa" was released on its scheduled release date, January 1, 1982. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Aragon la Mas Famosa's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Miguel Fleta's "Miguel Fleta" album is number 6 out of 12. Aragon la Mas Famosa is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Aragon la Mas Famosa by Miguel Fleta to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te encontrare | Classic jazz fest | B Major | 2 | 1B | 113 BPM | ||
Monte Carmelo: "Intermedio" | Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica | B♭ Major | 2 | 6B | 76 BPM | ||
La del Soto del Parral | Orquesta Y Coros Montilla | D Major | 2 | 10B | 92 BPM | ||
Neskas y Chaolí (Vasca) | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría, Coro Cantores de Madrid, Julian Perera, Rondalla Popular de Madrid | F Major | 3 | 7B | 118 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Monte Carmelo: "¿Por Qué Corres, Esperanza?" | Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica | D Major | 2 | 10B | 86 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Precorrete...Percorriamo le spiagge vicine" (Normanno, Chorus) | Gaetano Donizetti, Gino Sarri/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
La Marsellesa | Miguel Fleta | F Major | 4 | 7B | 110 BPM |