New York Philharmonic's 'Carmina Burana: I. Gnomus - Instrumental' came out on 1991. The duration of Carmina Burana: I. Gnomus - Instrumental is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Carmina Burana: I. Gnomus - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Rendezvous der Sinne Vol. 1". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Carmina Burana: I. Gnomus - Instrumental is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: I. Gnomus - Instrumental by New York Philharmonic having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in E Minor: IIIc. Wieder wie zu Anfang | Gustav Mahler, New York Philharmonic, Leonard Bernstein | C Major | 3 | 8B | 107 BPM | ||
The Rite of Spring (1913 Version): Adoration of the Earth, Part I: Spring Rounds | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 127 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Symphonic Dances from "West Side Story" *: Symphonic Dances from West Side Story: Mambo (Meno presto) | Leonard Bernstein, New York Philharmonic, West Side Story Original Broadway Cast | E Minor | 8 | 9A | 137 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
The Firebird Suite (1919 Version): V. Infernal Dance of King Kashchei | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A Major | 4 | 11B | 164 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM |