"10 Legends, Op. 59, B. 122: No. 9. Andante con moto" by Antonín Dvořák, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser had its release date on April 12, 1990. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. 10 Legends, Op. 59, B. 122: No. 9. Andante con moto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 9 in Dvorak: Symphony No. 2 / Legends Op. 59, Nos. 6-10 by Antonín Dvořák, Slovak Philharmonic, Stephen Gunzenhauser. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, 10 Legends, Op. 59, B. 122: No. 9. Andante con moto is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 10 Legends, Op. 59, B. 122: No. 9. Andante con moto by Antonín Dvořák, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Allegro con spirito | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 5 | 11B | 90 BPM | ||
Children's Corner, L. 113 - Orch. Caplet: The Snow is Dancing | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 1 | 6B | 75 BPM | ||
La Vida Breve: Danza Española No. 1 (Arr. for Harp & Guitar) | Manuel de Falla, Duo Multicorde | A Minor | 2 | 8A | 96 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Othello Suite: Venice (Nocturne) | Aram Khachaturian, Viktor Simcisko, Jana Valášková, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Adriano | E Minor | 0 | 9A | 83 BPM | ||
The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
The Snow Maiden Suite: Danse des bouffons (Dance of the Clowns) | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Donald Johanos | E♭ Major | 4 | 5B | 97 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 2, Fairies' March | Felix Mendelssohn, Rotterdam Philharmonic Orchestra, Jeffrey Tate | E Minor | 0 | 9A | 145 BPM | ||
Cypresses B.152: 2. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Minor | 1 | 4A | 89 BPM |