George Frideric Handel, Herbert von Karajan, Berliner Philharmoniker's 'Harty: Water Music Suite (After Handel): II. Air' came out on 1961. With this song being about 5 minutes long, at 5:20, "Harty: Water Music Suite (After Handel): II. Air" by George Frideric Handel, Herbert von Karajan, Berliner Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Herbert von Karajan, Berliner Philharmoniker's "Mozart: Serenade No. 13, Ave verum corpus, German Dances - Handel: Water Music" album is number 10 out of 14. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Harty: Water Music Suite (After Handel): II. Air is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Harty: Water Music Suite (After Handel): II. Air by George Frideric Handel, Herbert von Karajan, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Concerto in F Major, Seibel 234: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 133 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
Water Music Suite No.1 In F, HWV 348: 5. Air | George Frideric Handel, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 75 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied | Johannes Brahms, Elly Ameling, Dalton Baldwin | E♭ Major | 0 | 5B | 92 BPM | ||
Keyboard Suite No. 5 in E Major, HWV 430: IV. Air and Doubles ("Harmonious Blacksmith") | George Frideric Handel, Philip Edward Fisher | E Major | 1 | 12B | 126 BPM |