"5 Lieder, Op. 49: No. 4, Wiegenlied" by Johannes Brahms, Elly Ameling, Dalton Baldwin was released on 1977. The duration of 5 Lieder, Op. 49: No. 4, Wiegenlied is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. 5 Lieder, Op. 49: No. 4, Wiegenlied's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 18 in Brahms: Lieder (Elly Ameling – The Philips Recitals, Vol. 17) by Johannes Brahms, Elly Ameling, Dalton Baldwin. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, 5 Lieder, Op. 49: No. 4, Wiegenlied is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Lieder, Op. 49: No. 4, Wiegenlied by Johannes Brahms, Elly Ameling, Dalton Baldwin is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen / Act 2: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 64 BPM | ||
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
Die Forelle, Op. 32, D. 550 - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | D♭ Major | 1 | 3B | 82 BPM | ||
Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, Fazıl Say | A Minor | 0 | 8A | 66 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM | ||
Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Cecilia Bartoli, Jean-Yves Thibaudet | D Major | 3 | 10B | 124 BPM | ||
Mahler: Symphony No. 2, "Resurrection": IV. Urlicht, "Der Mensch liegt in grösster Not" (Alto). Sehr feierlich, aber schlicht | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 137 BPM | ||
Piano Trio No. 1 in B Major, Op. 8: II. Scherzo - Allegro molto | Johannes Brahms, Vienna Piano Trio | B Major | 1 | 1B | 160 BPM | ||
L'invitation au voyage | Henri Duparc, Véronique Gens, Susan Manoff | A Major | 1 | 11B | 174 BPM |