"Porgy and Bess (arr. M. Honetschlager): Act II: I Got Plenty O' Nuttin'" by George Gershwin, Manfred Honetschlager, Tony Fisher, Jiggs Whigham, HR Brass had its release date on January 1, 1993. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jiggs Whigham's "Musicals for Brass - Gershwin, G. / Bernstein, L." album is number 4 out of 20. On top of that, United States appears to be the country where this track was created. Porgy and Bess (arr. M. Honetschlager): Act II: I Got Plenty O' Nuttin' is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Porgy and Bess (arr. M. Honetschlager): Act II: I Got Plenty O' Nuttin' by George Gershwin, Manfred Honetschlager, Tony Fisher, Jiggs Whigham, HR Brass to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Estrellita (Arr. Heifetz) | Manuel Ponce, Ray Chen, Julien Quentin | F♯ Major | 1 | 2B | 83 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Shall We Dance: They Can't Take That Away From Me | Peter Breiner, Juray Bartos, George Gershwin | A♭ Major | 0 | 4B | 64 BPM | ||
Sicilienne, Op. 78 (arr. for orchestra) | Gabriel Fauré, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 1 | 5B | 103 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Catfish Row: Suite from Porgy and Bess (arr. S. Bowen for orchestra): I. Catfish Row | George Gershwin, Steven Browen, Buffalo Philharmonic Orchestra, Joann Falletta | G Major | 1 | 9B | 109 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
Valse Vanité | Rudy Wiedoeft, Jess Gillam, Zeynep Özsuca | A♭ Major | 2 | 4B | 86 BPM |