"Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King" by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi was released on January 1, 1987. The duration of Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Lilya Zilberstein, Gothenburg Symphony Orchestra, Neeme Järvi's "Grieg: Piano Concerto; Peer Gynt Suites Nos.1 & 2" album is number 9 out of 13. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hofball-Quadrille, Op. 116 | Johann Strauss II, Neeme Järvi, Estonian National Symphony Orchestra | G Minor | 4 | 6A | 123 BPM | ||
Gayaneh, Ballett: Säbeltanz | London Festival Orchestra, Alfred Scholz | C Major | 7 | 8B | 177 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: I. Allegro | Franz Schubert, Bamberg Symphony, Jonathan Nott | E Major | 0 | 12B | 79 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Royal Scottish National Orchestra Chorus, Female members, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 4 | 4B | 79 BPM | ||
Concerto for 2 Cellos in G Minor, RV 531: I. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 3 | 6A | 115 BPM | ||
Peer Gynt Opp.46 & 55, Excerpts, Suite No. 1, Op.46: Prelude (Morning) | Paavo Berglund | E Major | 0 | 12B | 77 BPM | ||
Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | F Major | 2 | 7B | 111 BPM | ||
Grieg: 4 Symphonic Dances, Op. 64: I. Allegro moderato e marcato | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 1 | 9B | 129 BPM | ||
Canon in D Major, P. 37 | Johann Pachelbel, Edward Brewer, Orpheus Chamber Orchestra | D Major | 1 | 10B | 116 BPM |