London Festival Orchestra, Alfred Scholz made "Gayaneh, Ballett: Säbeltanz" available on January 1, 2000. The duration of Gayaneh, Ballett: Säbeltanz is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Gayaneh, Ballett: Säbeltanz's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 8 in Classic Dreams (18) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Gayaneh, Ballett: Säbeltanz is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Gayaneh, Ballett: Säbeltanz by London Festival Orchestra, Alfred Scholz is Presto (very, very fast), since this song has a tempo of 177 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ketèlbey: In a Persian Market (Intermezzo-Scene) | Albert Ketèlbey, John Lanchbery, Ambrosian Singers, Philharmonia Orchestra | F Major | 2 | 7B | 127 BPM | ||
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: No. 13, Barcarolle "Belle nuit, ô nuit d'amour" (Orchestral Version) | Jacques Offenbach, Studio 2 Symphony Orchestra, Vilem Tausky | D Major | 0 | 10B | 116 BPM | ||
Antony And Cleopatra's Theme | London Festival Orchestra, Stanley Black | E Minor | 2 | 9A | 109 BPM | ||
協奏曲集「四季」より「夏」/第3楽章(『燃ゆる女の肖像』より) | ライナー・クスマウル, シュトゥットガルト室内管弦楽団, マルティン・ジーグハルト | C Minor | 4 | 5A | 152 BPM | ||
La vie parisienne, Cancan | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 6 | 9B | 92 BPM | ||
Voces de primavera, Op. 410 | Orquesta De Conciertos Vienesa, Alfred Scholz | C Minor | 3 | 5A | 175 BPM | ||
The Marriage of Figaro, "Le Nozze di Figaro", K.492: Overture | London Philharmonic Orchestra, Edward Downes | D Major | 2 | 10B | 148 BPM | ||
" Faust " , Ballettmusik: Nr. 1 Allegro (Tempo di Valse) | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | A Major | 0 | 11B | 114 BPM | ||
Orchestral Suite No.2 in B minor, BWV1067 - Badinerie | CHA Medical Center | B Minor | 2 | 10A | 116 BPM |