"Die Zauberflote (The Magic Flute), K. 620, Act Ii: Ach, Ich Fuhl's (Pamina)" by Budapest Failoni Chamber Orchestra, Elizabeth Norberg-Schulz, Emanuel Schikaneder, Wolfgang Amadeus Mozart was released on December 31, 1995. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 16 in Best Of Opera, Vol. 3 by Francesco Maria Piave. Die Zauberflote (The Magic Flute), K. 620, Act Ii: Ach, Ich Fuhl's (Pamina) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Zauberflote (The Magic Flute), K. 620, Act Ii: Ach, Ich Fuhl's (Pamina) by Budapest Failoni Chamber Orchestra, Elizabeth Norberg-Schulz, Emanuel Schikaneder, Wolfgang Amadeus Mozart is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Violin Concerto in D Minor, MWV O3: III. Allegro | Felix Mendelssohn, Tianwa Yang, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Minor | 2 | 7A | 161 BPM | ||
Symphony No. 4 in C Minor, D. 417, "Tragic": III. Menuetto: Allegro vivace | Franz Schubert, Budapest Failoni Chamber Orchestra, Michael Halasz | E♭ Major | 0 | 5B | 117 BPM | ||
Symphony in C Minor, Bryan Cm2: II. Andante | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | F Minor | 0 | 4A | 139 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: VII. Badinerie | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 128 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM |