"Piano Concerto No. 2 In C Minor, Op. 18: Piano Concerto No. 2 In C Minor: Ii. Adagio Sostenuto" by Sergei Rachmaninoff, Budapest Symphony Orchestra, Jenő Jandó was released on October 28, 1991. Piano Concerto No. 2 In C Minor, Op. 18: Piano Concerto No. 2 In C Minor: Ii. Adagio Sostenuto appears to be safe for all ages as it is not explicit. There is only one song in 101 Great Orchestral Classics, Vol. 5, so we believe that "Piano Concerto No. 2 In C Minor, Op. 18: Piano Concerto No. 2 In C Minor: Ii. Adagio Sostenuto" is a single. In terms of popularity, Piano Concerto No. 2 In C Minor, Op. 18: Piano Concerto No. 2 In C Minor: Ii. Adagio Sostenuto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 2 In C Minor, Op. 18: Piano Concerto No. 2 In C Minor: Ii. Adagio Sostenuto by Sergei Rachmaninoff, Budapest Symphony Orchestra, Jenő Jandó is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Rhapsody No. 2, S. 244/2 | Franz Liszt, Shura Cherkassky | D♭ Major | 1 | 3B | 74 BPM | ||
Nocturne, B-Moll, op. 9, No. 1: Larghetto | Adolf Drescher | D♭ Major | 0 | 3B | 130 BPM | ||
Piano Trio No. 2 in E-Flat, D. 929, Op. 100: II. Andante con moto | Franz Schubert, Gryphon Trio | C Minor | 0 | 5A | 95 BPM | ||
Walzer No. 1 for Piano in E-Flat Major, Op. 18 | Peter Schmalfuss | A♭ Major | 1 | 4B | 134 BPM | ||
Hungarian Rhapsody No. 2, S. 244 after Vladimir Horowitz | Franz Liszt, Arcadi Volodos | D♭ Major | 2 | 3B | 79 BPM | ||
3 Old Viennese Dances: Kreisler - Liebesleid | Sergei Rachmaninoff, Idil Biret | D♭ Major | 0 | 3B | 71 BPM | ||
Violin Concerto: III. — | Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa | F Major | 1 | 7B | 129 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, James Buswell, Royal Scottish National Orchestra, Marin Alsop | E Major | 0 | 12B | 82 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111 - Orchestral Version: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
Piano Trio In E Flat Major, Op. 148, D. 897, "Notturno": Adagio | Stuttgart Piano Trio, Franz Schubert | B♭ Major | 0 | 6B | 92 BPM |