"MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: II. ANDANTE" by Jeffrey Tate was released on March 3, 2003. Since MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: II. ANDANTE is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jeffrey Tate's "Mozart: Syms 36,38,40,41" album is number 2 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: II. ANDANTE is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: II. ANDANTE by Jeffrey Tate to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
MOZART: SYMPHONY NO. 36 IN C, K.425 (LINZ): III. MENUETTO AND TRIO | Jeffrey Tate | C Major | 0 | 8B | 126 BPM | ||
Manon / Act 3: Je marche sur les chemins...Obéissons quand leur voix appelle) | Jules Massenet, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 104 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro moderato | Pablo Casals, Orchestre Du Festival De Prades, Yehudi Menuhin | B Minor | 3 | 10A | 77 BPM | ||
Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll": IV. Finale. Allegro con spirito | Joseph Haydn, English Chamber Orchestra, Jeffrey Tate | E♭ Major | 1 | 5B | 145 BPM | ||
From Holberg's Time, Op. 40: II. Sarabande: Andante | Edvard Grieg, Moscow Soloists, Yuri Bashmet | D Major | 0 | 10B | 95 BPM | ||
Le barbier de Séville Largo al factotum - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 77 BPM | ||
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio & III. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 6 | 2B | 127 BPM | ||
Mozart: Symphony No. 35 in D Major, K. 385 "Haffner": IV. Finale. Presto | Wolfgang Amadeus Mozart, Jeffrey Tate, English Chamber Orchestra | A Major | 2 | 11B | 127 BPM | ||
Hungarian Dance No.3 In F Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
Setting Contempo | Bonn Classical Philharmonic | D Minor | 0 | 7A | 138 BPM |