"From Holberg's Time, Op. 40: II. Sarabande: Andante" by Edvard Grieg, Moscow Soloists, Yuri Bashmet was released on September 24, 2008. The duration of From Holberg's Time, Op. 40: II. Sarabande: Andante is about 3 minutes long, at 3:28. Based on our data, "From Holberg's Time, Op. 40: II. Sarabande: Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Tchaikovsky: Serenade for Strings - Grieg: Holberg Suite - Mozart: Eine kleine Nachtmusik". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, From Holberg's Time, Op. 40: II. Sarabande: Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With From Holberg's Time, Op. 40: II. Sarabande: Andante by Edvard Grieg, Moscow Soloists, Yuri Bashmet having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: No. 2 in D Minor. Allegro non assai | Johannes Brahms, Tal & Groethuysen | D Minor | 1 | 7A | 100 BPM | ||
Recuerdos de la Alhambra | Francisco Tárrega, Andrés Madariaga | D Major | 3 | 10B | 79 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Minor | 0 | 1A | 90 BPM | ||
Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM | ||
Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato | Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra | A Major | 3 | 11B | 98 BPM | ||
Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: I. Andante | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | B♭ Major | 1 | 6B | 98 BPM | ||
Faun’s Riddle (Acertijo del Fauno) | Julián Fueyo | F♯ Minor | 0 | 11A | 104 BPM | ||
Piano Concerto No.3 in C, Op.26: 3. Allegro ma non troppo | Sergei Prokofiev, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | C Major | 3 | 8B | 106 BPM |