"Ecclesie militantis / Sanctorum arbitrio / Bella canunt gentes / Gabriel / Ecce nomen Domini" by Guillaume Dufay, Blue Heron, Scott Metcalfe was released on February 1, 2014. With this song being about 5 minutes long, at 5:29, "Ecclesie militantis / Sanctorum arbitrio / Bella canunt gentes / Gabriel / Ecce nomen Domini" by Guillaume Dufay, Blue Heron, Scott Metcalfe is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 16 in Dufay: Motets by Guillaume Dufay, Blue Heron, Scott Metcalfe. Ecclesie militantis / Sanctorum arbitrio / Bella canunt gentes / Gabriel / Ecce nomen Domini is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ecclesie militantis / Sanctorum arbitrio / Bella canunt gentes / Gabriel / Ecce nomen Domini by Guillaume Dufay, Blue Heron, Scott Metcalfe is Larghetto (rather broadly), since this song has a tempo of 65 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Secular Music (1454-74): Mon seul plaisir, ma doulce joye | Guillaume Dufay, The Medieval Ensemble Of London, Peter & Timothy Davies, Peter Davies, Timothy Davies | F Major | 1 | 7B | 79 BPM | ||
Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
Chansons (arr. for voice and chamber ensemble): Belle, que vous ay je mesfait | Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch | G Major | 1 | 9B | 136 BPM | ||
Branle gay | Pierre Attaingnant, Ronn McFarlane | B♭ Major | 0 | 6B | 178 BPM | ||
Tant' e Santa Maria | Ensemble Gilles Binchois | E Major | 1 | 12B | 176 BPM | ||
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Jam sauche | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | F Minor | 1 | 4A | 93 BPM | ||
Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM |