"Septet in E-Flat Major, Op. 20: II. Adagio cantabile" by Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth was released on May 17, 1995. Since Septet in E-Flat Major, Op. 20: II. Adagio cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 12 in Beethoven: Chamber Music for Horns, Winds and Strings by Ludwig van Beethoven. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Septet in E-Flat Major, Op. 20: II. Adagio cantabile's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Septet in E-Flat Major, Op. 20: II. Adagio cantabile by Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Flute Trio in D Major, Op. 12, No. 3: II. Largo | Tommaso Giordani, Orsolya Kaczander, Péter Bársony, Péter Szabó | F Major | 1 | 7B | 140 BPM | ||
Lieder ohne Worte, Op.19: No. 4 In A (Moderato), MWV U 73 | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 134 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Fabrizio von Arx, Christian Benda | E♭ Major | 1 | 5B | 133 BPM | ||
Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM | ||
Sonata da camera: I. Molto sostenuto | Mátyás Seiber, David Fruhwirth, Péter Szabó | G Major | 0 | 9B | 83 BPM | ||
Flute Concerto In D Major, Op. 10, No. 3, RV 428, "Il Gardellino": II. Cantabile | Jiří Válek, Capella Istropolitana, Antonio Vivaldi | D Major | 0 | 10B | 78 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau (Arr. J. Milone for Violin & Orchestra) | Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields | E Major | 2 | 12B | 75 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
Chanson de nuit | Edward Elgar, Nicholas Cleobury | G Major | 1 | 9B | 67 BPM |