On September 26, 2014, the song "Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau (Arr. J. Milone for Violin & Orchestra)" was released by Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields. The duration of Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau (Arr. J. Milone for Violin & Orchestra) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau (Arr. J. Milone for Violin & Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 9 in Bach: Works for Violin by Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields. Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau (Arr. J. Milone for Violin & Orchestra) is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau (Arr. J. Milone for Violin & Orchestra) by Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
Trio Sonata in F Major, HWV 392: IV. Allegro assai | George Frideric Handel, The Brook Street Band | E Major | 4 | 12B | 144 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Sonata No. 2 in A Minor, BWV 1003 (arr. N. Goluses): IV. Allegro | Nicholas Goluses, Johann Sebastian Bach | A Minor | 3 | 8A | 162 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 97 BPM |