"Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 13, Waltz of the Flowers" by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle was released on October 22, 2010. Since Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 13, Waltz of the Flowers is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 24 in the song's album "Tschaikowsky: Der Nussknacker". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 13, Waltz of the Flowers is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 13, Waltz of the Flowers by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle having a テンポ of 47 with a half-time of 24 テンポ and a double-time of 94 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 2: Young Juliet | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 74 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM | ||
Swan Lake, Op. 20: No. 2 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | A Major | 1 | 11B | 96 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Etude Op. 10 no. 4 in c sharp minor | Valentina Lisitsa | F♯ Minor | 2 | 11A | 92 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
8 Slavonic Dances, Op. 72: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | D♭ Major | 0 | 3B | 66 BPM | ||
Don Quixote: Act III: Classical Variation II | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | F Minor | 1 | 4A | 98 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B♭ Major | 1 | 6B | 119 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM |