"Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on 1976. Since Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #4. In terms of popularity, Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 6, Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B♭ Major | 2 | 6B | 95 BPM | ||
Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Nessun Dorma | Giacomo Puccini, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 5 | 10B | 96 BPM | ||
L'amant anonyme: Ballet No. 6 | Joseph Bologne Chevalier de Saint-Georges, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 2 | 11B | 128 BPM | ||
"Dance Of The Hours" from La Gioconda | London Symphony Orchestra | D♭ Minor | 1 | 12A | 84 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 3, Epilogue: Death of Juliet | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 84 BPM | ||
The Flight Of The Bumble Bee | London Symphony Orchestra | E Minor | 0 | 9A | 118 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM |