""Dance Of The Hours" from La Gioconda" by London Symphony Orchestra was released on January 11, 2010. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 100 in the song's album "The London Symphony Orchestra: The Top 100 of Classical Music". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Belgium. "Dance Of The Hours" from La Gioconda is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With "Dance Of The Hours" from La Gioconda by London Symphony Orchestra having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Peer Gynt, Op. 23, Act IV: Anitra's Dance | Edvard Grieg, London Symphony Orchestra, Oivin Fjeldstad | A Major | 0 | 11B | 158 BPM | ||
Giselle: Giselle's variation | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | B♭ Major | 1 | 6B | 133 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Zigeunerweisen, Op.20 | Pablo de Sarasate, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | G Minor | 1 | 6A | 81 BPM | ||
William Tell - Overture | London Symphony Orchestra | E Major | 5 | 12B | 169 BPM | ||
"Peer Gynt" Suite No.1, Op.46: Morning | Edvard Grieg, Jacek Kaspszyk, London Symphony Orchestra | E Major | 0 | 12B | 61 BPM | ||
The Four Seasons - Spring in E Major, RV. 269: I. Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | A♭ Major | 3 | 4B | 126 BPM |