Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra made "Divertimento No. 11 in D Major, K. 251 "Nannerl-Septett": VI. Marcia alla francese" available on January 1, 2001. The duration of Divertimento No. 11 in D Major, K. 251 "Nannerl-Septett": VI. Marcia alla francese is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Divertimento No. 11 in D Major, K. 251 "Nannerl-Septett": VI. Marcia alla francese's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra's "Mozart, W.A.: The Wind Concertos / Serenades / Divertimenti" album is number 6 out of 83. In terms of popularity, Divertimento No. 11 in D Major, K. 251 "Nannerl-Septett": VI. Marcia alla francese is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Divertimento No. 11 in D Major, K. 251 "Nannerl-Septett": VI. Marcia alla francese by Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 108 テンポ, a half-time of 54テンポ, and a double-time of 216 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): II. Andante | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 0 | 6B | 112 BPM | ||
Piano Concerto No.23 In A, K.488 - Cadenza: Feruccio Busoni: 1. Allegro | Wolfgang Amadeus Mozart, Ferruccio Busoni, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: III. Rondo (Allegro) | Wolfgang Amadeus Mozart, Carl Reinecke, Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 83 BPM | ||
Mazurka No.36 In A Minor Op.59 No.1 | Frédéric Chopin, Vladimir Ashkenazy | A Major | 0 | 11B | 63 BPM | ||
Violin Concerto No. 1 in B-Flat Major, K. 207: 3. Presto | Wolfgang Amadeus Mozart, Erik Smith, Henryk Szeryng, New Philharmonia Orchestra, Alexander Gibson | A Major | 1 | 11B | 77 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM |