Michael Praetorius, Canadian Brass, Festival Singers Of Canada, Elmer Iseler's 'Ein Kindelein So Lobelich' came out on January 1, 2004. With this song being about 5 minutes long, at 4:52, "Ein Kindelein So Lobelich" by Michael Praetorius, Canadian Brass, Festival Singers Of Canada, Elmer Iseler is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Canadian Brass's "Joyful Sounds" album is number 6 out of 12. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Ein Kindelein So Lobelich's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ein Kindelein So Lobelich by Michael Praetorius, Canadian Brass, Festival Singers Of Canada, Elmer Iseler to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La liberazione di Ruggiero dall'isola d'Alcina, Scene 4: Ballo ("Il cavalier di Spagna" by Magistro Rofino) | Francesca Caccini, Allabastrina, La Pifarescha, Elena Sartori | F Major | 2 | 7B | 116 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Passamezzo moderno: Recercada secunda | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | B Major | 3 | 1B | 121 BPM | ||
The Earl of Essex Galliard | John Dowland, Folger Consort | G Minor | 1 | 6A | 100 BPM | ||
Welscher Tantz Wascha mesa - Hupfauff | Hans Neusidler, Konrad Ragossnig, Siegfried Fink, Josef Ulsamer | C Major | 3 | 8B | 86 BPM | ||
Folias (Imperfectas) | Andrew Lawrence-King | G Major | 1 | 9B | 131 BPM | ||
Melancholy Galliard | Hopkinson Smith, John Dowland | A♭ Major | 1 | 4B | 80 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM | ||
Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | ||
Susato: 12 Dances from The Danserye: I. La Mourisque | Tylman Susato, Early Music Consort Of London | C Major | 6 | 8B | 87 BPM |