"Cummune Unius Martyr" by Pro Cantione Antiqua, Mark Brown was released on February 8, 2011. The duration of Cummune Unius Martyr is about 3 minutes long, at 3:18. Based on our data, "Cummune Unius Martyr" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Pro Cantione Antiqua, Mark Brown's "Gregorian Feast - Chants for Festive Days" album is number 22 out of 26. On top of that, United States appears to be the country where this track was created. Cummune Unius Martyr is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cummune Unius Martyr by Pro Cantione Antiqua, Mark Brown to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria, JD 15: Gloria (Jesu Christe Fili Dei), JD 15 | John Dunstable, Tonus Peregrinus, Antony Pitts | E Major | 2 | 12B | 133 BPM | ||
Messe de la toussaint : Introit gaudeamus psaume | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F Major | 0 | 7B | 134 BPM | ||
Resectum ergo de corpore | Anon, Magnificat, Philip Cave | F Minor | 1 | 4A | 75 BPM | ||
Alma Redemptoris Mater | Lucien Deiss, CSSp | E♭ Major | 1 | 5B | 63 BPM | ||
My Bonny Lass She Smileth | Thomas Morley, Pro Cantione Antiqua, Philip Ledger | G Major | 1 | 9B | 92 BPM | ||
Motets: Alma redemptoris mater | Guillaume Dufay, Hamburger Bläserkreis für alte Musik, Instrumentalensemble, Bruno Turner, Pro Cantione Antiqua | G Major | 1 | 9B | 97 BPM | ||
Arise, ye subterranean winds | Henry Purcell, Pro Cantione Antiqua, Mark Brown | C Major | 3 | 8B | 92 BPM | ||
All Hail to Thee, O Virgin Bright | Dominican House of Studies | A Major | 2 | 11B | 75 BPM | ||
De Lamentatione Ieremiae Prophetae | Pro Cantione Antiqua | D♭ Major | 0 | 3B | 103 BPM | ||
Preface | Cantores 'Regina Caeli' | D Major | 0 | 10B | 76 BPM |