"Motets: Alma redemptoris mater" by Guillaume Dufay, Hamburger Bläserkreis für alte Musik, Instrumentalensemble, Bruno Turner, Pro Cantione Antiqua was released on January 1, 1994. With this song being about 5 minutes long, at 4:30, "Motets: Alma redemptoris mater" by Guillaume Dufay, Hamburger Bläserkreis für alte Musik, Instrumentalensemble, Bruno Turner, Pro Cantione Antiqua is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 86 in the song's album "The Flowering of Renaissance Choral Music". In this album, this song's track order is #9. In terms of popularity, Motets: Alma redemptoris mater is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Motets: Alma redemptoris mater by Guillaume Dufay, Hamburger Bläserkreis für alte Musik, Instrumentalensemble, Bruno Turner, Pro Cantione Antiqua having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantigas de Santa Maria, No. 60: Entre Av'e Eva | Alfonso X El Sabio, Esther Lamandier | F Major | 1 | 7B | 84 BPM | ||
Celeste beneficium - Audiutorium nostrum | Jean Mouton, Capilla Flamenca, Patrick Denecker | F Major | 2 | 7B | 132 BPM | ||
Zappay [lo campo] | Capella de Ministrers, Carles Magraner | C Major | 3 | 8B | 115 BPM | ||
Mirandas parit hec urbs, "Imperatrix angelorum" | Guillaume Dufay, Francesca Cassinari, Sveva Martin, Daniela Perlo, Livio Cavallo, Daniela Godio, Cantica Symphonia | C Major | 1 | 8B | 74 BPM | ||
Missa Nunca Fue Pena Major: V. Agnus Dei | Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur Maud | A♭ Minor | 2 | 1A | 74 BPM | ||
Je me complains piteusement | Guillaume Dufay, Steven Harrold, Julian Podger, Stephen Charlesworth, Andrew Lawrence-King | D Minor | 2 | 7A | 135 BPM | ||
Ballo 'La Giloxia' | Domenico da Piacenza, Unicorn Ensemble | G Major | 1 | 9B | 122 BPM | ||
Aspire refus contre doulce priere | Jacopo da Bologna, Munir Beken, August Denhard | C Major | 0 | 8B | 140 BPM | ||
J'ai mon cuer | Ensemble Project Ars Nova | A Minor | 0 | 8A | 0 BPM | ||
O Crux ave, spes unica | Giaches de Wert, Stile Antico | C Minor | 1 | 5A | 80 BPM |