"Grande Messe des Morts: VII. Sequentia: Dies irae - Grave maestoso" by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis was released on March 8, 2001. The duration of Grande Messe des Morts: VII. Sequentia: Dies irae - Grave maestoso is about 3 minutes long, at 3:21. Based on our data, "Grande Messe des Morts: VII. Sequentia: Dies irae - Grave maestoso" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Francois-Joseph Gossec's "Gossec: Grande Messe Des Morts / Symphonie A 17 Parties" album is number 7 out of 28. In terms of popularity, Grande Messe des Morts: VII. Sequentia: Dies irae - Grave maestoso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grande Messe des Morts: VII. Sequentia: Dies irae - Grave maestoso by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rossini: Petite messe solennelle: II. Gloria, 7. Cum Sancto Spiritu (Chorus). Allegro | Gioachino Rossini, Antonio Pappano | G Minor | 0 | 6A | 112 BPM | ||
Dorilla in Tempe, RV 709, Act III, Scene 11: Admeto, ecco tua figlia - A un tal portento (Nomio, Admeto, Elmiro, Dorilla, Eudamia, Filindo) | Antonio Vivaldi, I Barocchisti, Diego Fasolis, Marina de Liso, Christian Senn, Serena Malfi, Romina Basso, Sonia Prina, Lucia Cirillo | B Minor | 2 | 10A | 121 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Agnus Dei: Agnus Dei | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | G Minor | 2 | 6A | 86 BPM | ||
Grande Messe des Morts: IX. Sequentia: Mors stupebit - Allegro | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Major | 2 | 9B | 89 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Aria con Coro: Deh! Placatevi con me | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | E♭ Major | 1 | 5B | 179 BPM | ||
Arianna in Creta: Salda quercia, inerta balza | George Frideric Handel, Max Emanuel Cenčić, Diego Fasolis, I Barocchisti | D♭ Major | 5 | 3B | 120 BPM | ||
Stabat Mater (Hob. XXbis) 1767: III. Quis est homo, qui non fleret | Joseph Haydn, The English Concert, Trevor Pinnock, The English Concert Choir | E Major | 1 | 12B | 98 BPM | ||
Die Jahreszeiten, Hob. XXI:3, Der Frühling: VIII. Freudenlied mit abwechselndem Chor der Jugend, "Oh, wie lieblich ist der Anblick" | Franz Joseph Haydn, Christina Landshamer, Maximilian Schmitt, Florian Boesch, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 1 | 10B | 68 BPM | ||
I trionfi del fato: E l'honor stella tiranna | Agostino Steffani, Cecilia Bartoli, I Barrochisti, Diego Fasolis | F♯ Minor | 5 | 11A | 130 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM |