"A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62: Nezd, hogy derul mar a varam (5. Ajto) (Look, my castle gleams and brightens (Door 5)) (Bluebeard, Judith)" by Béla Bartók, Katalin Kasza, Gyorgy Melis, Hungarian Radio and Television Chorus, Budapest Philharmonic Orchestra, Janos Ferencsik was released on November 1, 2014. With this song being about 5 minutes long, at 4:57, "A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62: Nezd, hogy derul mar a varam (5. Ajto) (Look, my castle gleams and brightens (Door 5)) (Bluebeard, Judith)" by Béla Bartók, Katalin Kasza, Gyorgy Melis, Hungarian Radio and Television Chorus, Budapest Philharmonic Orchestra, Janos Ferencsik is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 14 in Bartók: Bluebeard's Castle by Béla Bartók, Janos Ferencsik. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62: Nezd, hogy derul mar a varam (5. Ajto) (Look, my castle gleams and brightens (Door 5)) (Bluebeard, Judith) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62: Nezd, hogy derul mar a varam (5. Ajto) (Look, my castle gleams and brightens (Door 5)) (Bluebeard, Judith) by Béla Bartók, Katalin Kasza, Gyorgy Melis, Hungarian Radio and Television Chorus, Budapest Philharmonic Orchestra, Janos Ferencsik is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM | ||
Intermezzi, Op. 117: 1. In E-Flat Major | Johannes Brahms, Radu Lupu | E♭ Major | 0 | 5B | 73 BPM | ||
Magyar kepek (Hungarian Sketches), BB 103: Swineherd's Dance | Béla Bartók, Bournemouth Symphony Orchestra, Marin Alsop | E♭ Major | 0 | 5B | 162 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Sonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabile | György Ligeti, Miklós Perényi | G Major | 0 | 9B | 69 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM | ||
2 Pieces for the Left Hand, Op. 9: Prelude for the Left Hand in C-Sharp Minor, Op. 9, No. 1 | Alexander Scriabin, Evgeny Zarafiants | D Major | 0 | 10B | 69 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio | Béla Bartók, Saito Kinen Orchestra, Seiji Ozawa | D Major | 1 | 10B | 118 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM |