Jordi Savall's ' "Danza Del Hacha (Instr.) (Anónimo, Improv.)" was released on its scheduled release date, January 1, 2003. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Danza Del Hacha (Instr.) (Anónimo, Improv.)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Villancicos Danzas Criollas 1550-1750 by Jordi Savall. The song's track number on the album is #2 out of 16 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. Based on our statistics, Danza Del Hacha (Instr.) (Anónimo, Improv.)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Danza Del Hacha (Instr.) (Anónimo, Improv.) by Jordi Savall has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Danza Del Hacha (Instr.) (Anónimo, Improv.) being at 126 テンポ, the half-time would be 63 テンポ with a double-time of 252 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: IV. Sancta Mater | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Cantus Caravaggio I (Jordi Savall) | Jordi Savall, Hespèrion XXI | G Minor | 0 | 6A | 95 BPM | ||
Folias (A 3) Echa Para Mi Señora Doña Tarolilla De Carallenos | Andrea Falconieri, Jordi Savall, Hespèrion XXI | B Major | 2 | 1B | 84 BPM | ||
Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: III. Gavotte en rondeau | Georg Philipp Telemann, Jordi Savall | B♭ Minor | 4 | 3A | 128 BPM | ||
An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 112 BPM | ||
Diferencias Sobre el Canto de "La Dama le Demanda" | Antonio de Cabezón, Doulce Mémoire, Denis Raisin-Dadre | E♭ Minor | 1 | 2A | 152 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM | ||
Pavan | Orlando Gibbons, The Rose Consort Of Viols | F♯ Major | 1 | 2B | 79 BPM |